The Interior Art Project

 

        Since childhood, nature has been a place of wonder for me; a world where I could lose myself for hours, captivated by the smallest details. In my imagination, these details became entire landscapes, much like the way Japanese gardens condense vast sceneries into intimate spaces. Early on, I began photographing landscapes, drawing inspiration from my Swiss masters of photography (bio). Over time, my artistic journey led me in various directions, from contemporary to travel photography. However, in 2007, I embarked on a decade-long project dedicated to my fascination with natural scenery: The Interior Art Project. This artistic adventure took me across the Lake Geneva region, the Alps, and several French provinces: Provence, the Pyrenees, the Jura, seeking moments where nature and my inner world converged (Artist Statement).

 

        My creative process is not about isolated shots; each series begins with a carefully defined concept that shapes my artistic intent. My influences stem from literature, particularly pre- and post-Romantic French writers like Rousseau and Baudelaire. My understanding of color is enriched by 19th-century European painters such as J.M.W. Turner and Claude Monet. Asian art also plays a role in my vision: the Chinese Four Masters of the Yuan Dynasty, with their deeply felt landscapes, and the Japanese Momoyama period, known for bold stylistic innovations. The Japanese tradition of capturing nature through seasonal changes is especially significant, as subtle shifts in weather transform a scene and evoke different emotions.

 

A Contemplative Approach

 

        When I am in the field (Artist Statement), I let go of thought and immerse myself in the present moment, engaging all my senses. It is essential for me to feel part of the landscape, not just an observer. Composition is then crafted using the natural lines and patterns of the scene, influenced by the expressive approach of photographer Edward Weston. Light is another key element; I seek the unique atmosphere that will reveal the subject’s personality and capture a unique moment which will never happen again.

 

        From days of shooting, I carefully select four images, sometimes eight, along with one complementary photograph, distilling the essence of the original concept. These works do not document specific locations in a literal way but offer a contemplative perspective on nature’s evocative power. This openness allows each viewer to connect with the images personally, finding reflections of their own emotions and aspirations. The poetic quality of these pieces makes them an ideal gift. When displayed, they harmonize with interior spaces, shaping the ambiance and adding a quiet artistic statement. Though each image stands alone as a work of art, a series of four achieves its full expressive potential when presented together. For this reason, when an entire four-image concept is acquired, the fourth piece is offered as a gift.

 

Shaping the Seasons into Collectors Prints

 

        I work exclusively with medium-format chromogenic film—no digital, no Photoshop (Film Photography). This choice allows me to capture the subtle nuances of natural patterns and the infinite variations of light with exceptional fidelity. My camera’s viewfinder is cropped to a 16:9 ratio, offering a more dynamic composition than the near-square format of traditional medium-format film. This elongated proportion integrates seamlessly into interior spaces, enhancing the perception of openness. My prints are produced using Durst Lambda technology on chromogenic paper, renowned for its rich, delicate color rendering. They are then mounted to museum standards by Pictorial Service in Paris, a historic institution in photography. Each photograph is strictly limited to 30 prints, regardless of size, and is individually trackable with an Arttrust™ seal (see Art Prints). These exclusive works are available only through this website.

 

        Many collectors first discover my work through a friend’s recommendation after seeing a print in someone’s home. I deeply appreciate this personal connection. As a collector, if you share my work with a friend, a special thank-you gift awaits you.

 

        My website follows the rhythm of the seasons, with new series published on September 21 and March 21 (have a look at the new season). I also share two images a week on social media (see side bar), by which I also like to connect and interact with my audience. Thank you for visiting my gallery. I look forward to continuing this conversation with you on Facebook or Instagram.